'The biggest lie I tell myself is "I don't need to write that down; I'll remember it."'
When I'm in the middle of producing a print and repeating a process time and time again, it seems impossible that I won't always know how to do it. Sometimes I make a few notes on scraps of paper (which then get lost) but more often I don't. And then the same thing always happens - I go back a week or a month later to complete some more in the edition and I can't even remember how I got that ink colour, let alone how I got that texture effect or that blend of tones. I am an idiot.
In 2016 I am resolved to end this idiocy and start keeping a print recipe book. I'm going to use this sketch book from Paperchase. It fits the bill perfectly: it's attractive enough to be an incentive but not so lovely I dare not write in it. (I once gave away a beautiful hand made book because it had sat on my shelf unused for three years; it was so special I couldn't bring myself to make a mark in it).
The first recipe I've written up is for this little 'Robin' drypoint etching that I made for Christmas 2015. It's an edition of 50 and I still have just a few more to make, plus I want to be able to use it for a demo piece during York Open Studios in April. It's going to be really helpful to be reminded of how to do it when the time comes (and I just hope future me is suitably grateful).
|'Robin' drypoint etching 6 x 6 cm|